PROOF OF LIFE

a meditative sketchbook practice delivered by text a few times a week

This is for you if you’ve ever thought

“I wish I used my sketchbook more.”

"I was an artist in college. That feels like another life."

"Everything feels a little too fast right now."

"I need something that's just for me."

"I'm so tired of consuming. I want to make something."

"I want something gentle. Everything asks too much of me right now.”

Sketch of various people in different poses drawn with loose, black lines on white paper.
Watercolor illustration of six people showing different postures, with the word 'POSTURE' written below.
Sketch of a young woman with long hair, with the words "my ELLIE" written underneath.
A smartphone displays a message with a love quote and a drawing prompt, placed on a notebook with a pen nearby.
A smartphone displaying a message about human posture, with a signature or monogram 'MP' at the bottom.

PRACTICAL

  • fills a sketchbook without the paralysis of a blank page

  • costs less than a postage stamp a day

  • takes less than 10 minutes

  • requires no supplies you don’t already own

  • arrives in your pocket, no app to open no algorithm to fight

  • a low pressure, creative habit… that sticks

  • fits inside a lunch room, a waiting room, on your kitchen counter

  • gives you something to look forward to without a critical voice

PERSONAL

  • slows your nervous system down

  • small daily ritual of creation

  • quiets the artists inner critic by removing stakes

  • makes beauty findable even on the hardest of days

  • reconnects you to your senses and body

  • helps you hear your own voice through all the noise

  • keeps the creative part of you alive even when you think there isn’t any room for it

A quiet text, a few times a week, each one ending with a soft nudge to create.

A way to fill your sketchbook without overthinking.

Proof you slowed down, even once. Proof you made something out of an ordinary Tuesday. Proof you noticed the light before it changed. Proof you were still curious. Proof you gave yourself a minute. Proof you didn't just pass through. Proof you are still becoming. Proof you chose softness, even when everything was loud. Proof you noticed your own life.

Proof you were here. It doesn’t have to be good. It’s just proof. Proof of life.

A little bit about how this practice was born.

Just $1.25 /month

There is a version of you that does not hurry..... Draw: a long path.....

There is a version of you that does not hurry..... Draw: a long path.....

What you can expect

  • Whatever you have handy! Crayons, markers, pens, pencils- I started this practice with my 6 year olds alcohol markers and an old sketchbook from college.

  • In order to try and reach you when you might need it, text will come in at a random time each week, but you can be guaranteed 3 every week. Some might speak directly to you and you’ll run to your sketchbook, others might miss the mark and that’s okay. No pressure, to take some leave some.

  • Absolutely not! You can make of this practice whatever you want. Use a black pen to quickly sketch out your response or spend an hour watercoloring to the prompt. The idea is not to judge your talent, but to express your creativity.

  • Me! I’ve been collecting these little ideas for decades and they are often inspired by something I’ve noticed in my own daily life like being stopped dead in my tracks by 25ish condors circling above me on a hike.

  • A month, yes- that’s only $15/year. My hope with this project is to reach as many art hearts as possible and I only aim to cover my costs. Low barrier for entry!

  • Hi. Yes. I see you. I know this well. Empty sketchbooks for years here - best intentions and a desire to create but a million excuses and self built walls. I promise you this works. Give it 30 days. Treat it like a meditation- a moment for YOU. You got this!

A quiet text, a soft message with a drawing prompt to ignite your creativity.

A story if you feel like a read..

In the fall of 2020, fresh off of Covid lock down, my dad was diagnosed with terminal brain cancer.

He was given months to live … Having been a professional photographer practically my whole adult life,  I would have thought this would be how I coped- by documenting. By throwing myself into image making to freeze time…. But instead I suddenly found it really difficult to pick up my camera and in the midst of struggle and grief and exhaustion and sadness and while my foundation felt moments from crumbling, I looked down one day to see a paintbrush in my hand.

The end of my Dad’s life was a unique one, he ended up taking those last moments into his own hands through California’s End of Life Care Act and, well, that’s a story for another day - one I am still figuring out how to put into words that describe it accurately - I’ll get there- but art- the act of creativity and creation was with me the whole time. I wasn’t processing any of this in real time but looking back, my subconscious knew what I needed. I found myself turning to my old friend watercolor.  

I didn’t realize it then but by picking up my paint brush and watercolors each day at our kitchen table I was doing four things. (stick with me here)

  1. It was the only way I could quiet the brewing sense of panic inside of me. Every day I could feel it building, in my stomach in my throat, behind my eyes … and I’d find myself headed to a chair at the dining table with a jar of water, paints and a sketchbook. It was my meditation, it was both a moment of control and letting go. it was how I turned down the noise and found my way back to my body, if only for a few minutes. 

  2. I was removing any critical artistic voices that lived inside of me. By turning to art as an act of survival the pressure of creating something good was silenced. I come from a long line of gardening women and painting flowers was a no brainer- like I didn’t even consider it, I just started with a cosmo. I didn’t have to think, I just had to create. The view from our kitchen window told me what to do and that was that- flowers. It didn’t matter if I didn’t like the end product, it wasn’t about that, it was about the process. I didn’t choose to paint flowers, they chose me. 

  3. It was a moment every day, among the fear and grief, where I was reminded that there is always beauty in this world if you know how to see it. On my worst days, my brain would trick me into thinking it was all for nothing- watching my Dad disappear threatened my entire world view and most days I gave into that but these moments with my art supplies brought me back to the self I knew was still there inside of me- it reminded me who I was.

  4. And lastly, probably the most important one, I began to process. It was (and is still) a journey - perhaps of a lifetime but if you’re going through it (as we all are in some way shape or form) this is the part I truly want to share with you. As someone who has been in a life long relationship with anxiety and worry I have found that this practice of noticing the world around me, noting it and what its telling me and then expressing it through drawing, painting, writing or some combination of the three has helped me learn how to listen to my true self. It’s been both an act of survival and rebellion.

This practice of noticing, something that I know always lived inside of me but that grew in new ways out of - well the hardest period of my life -has become a gift- a daily meditation for me and a way of quieting the noise and rooting myself in the here and now. 

So I made something out of that… to share with you, if your way of seeing the world is like mine.

It’s called Proof of Life.

“It feels really low pressure but somehow I’ve drawn more this week than I have in months and they always seem to show up just when I need them.”